This Isn’t a Trick: Go See Gaslight at Kelsey Theatre
- Kristine Bonaventura
- 11 hours ago
- 2 min read
Updated: 7 hours ago
by Deitra Oliver
Gaslight, at Kelsey Theatre collaboration with Theater To Go, is an intense psychological thriller that will leave you feeling strangely satisfied in the end, but may also cause you to look a little deeper at the relationships in your own life. The term "gaslighting" has gained popularity in recent years to describe emotional abuse and manipulation in relationships, but what many people do not know is that it originated from this 1938 play by Patrick Hamilton. Gaslighting is psychological manipulation that makes the victim question their own reality, memory, or perceptions, and this show is truly a case study. Due to the nature of the story, it may be triggering if you have experienced emotional, psychological, or physical abuse, so please be prepared when you go to see it.
Set in 1880 Victorian London, Gaslight tells the story of Bella Manningham, played by Kimberly Correll, a woman being led into the depths of madness by the lies and trickery of her husband of five years, Jack Manningham, played by Mark Violi. Built upon a foundation of lies, their marriage is a farce constructed by Jack in pursuit of his ulterior motives. Correll beautifully depicts the fragile Bella, bringing both innocence and hidden depth to the character. In the final scene of the play, she delivers an intensity that is felt throughout the entire theater.
Violi, playing the scoundrel husband, gives an impactful performance, masterfully showcasing the nuances of emotional manipulation. At times gentle and loving, and at others rough and cruel, he keeps Bella, and the audience, unsure of his true intentions. Their tumultuous and abusive relationship is physically portrayed with intention and realism through fight choreography by Chris Schmalbach.
Bella and Jack’s story takes a turn with the introduction of Bob Brown as Inspector Rough. Brown delivers a lively and strong performance as the dogged inspector, determined to solve his case. He has incredible delivery and brings wonderful energy to every scene he is in. The main cast is rounded out by the housemaids Nancy, played by Camilla Sabogal, and Elizabeth, played by Dani Heywood. Sabogal delivers the overly flirtatious and indolent Nancy to perfection. Heywood, as the loyal and helpful Elizabeth, gives a strong and believable performance. Supporting cast members Chris Schmalbach and Joey Violi also do an excellent job as the police officers.
The entire cast shines thanks to the support of a strong production team. Led by Director and Producer Ruth Markoe, the team delivers an impactful and gripping production. Stage manager Christine Heffron keeps the show running smoothly. Historically accurate and detailed costume design by Melissa Rittmann helps the cast fully look the part. Audiences are transported into a Victorian English home through the beautiful and equally detailed set design by Ian Smith. Lighting design by M. Kitty Getlik plays a crucial role in building atmosphere, while sound design by Eric Collins expertly maintains tension throughout the performance.
While Gaslight is not an easy watch due to its heavy emotional content, it is a compelling and thoughtfully executed production. The play offers insight into patterns of manipulation that remain relevant today, making it both impactful and worthwhile for audiences willing to engage.
Gaslight runs now through Sunday February 2. Tickets are available here:
