by Robert Banskter Konstantin Stanislavski once said, “There are no small parts, only small actors.” A phrase we have all heard at one point or another in our theatre careers. One-Act Play Festivals are a testament to that fact, creating so many opportunities for actors who have not had a chance to shine in lead or featured roles to get a chance to stretch their wings, and it allows performers who wish to try directing an opportunity to do so. The 6th Annual One-Act Play Fes

by Stephen Kreal On Friday, September 4th, I went to see the opening night performance of “Marrying George Clooney: CONFESSIONS FROM A MIDLIFE CRISIS,” a sharp-witted play written by award-winning playwright, screenwriter, and activist Amy Ferris, and adapted from her best-selling memoir, at Haddonfield Plays and Players. This production was part of special programming at HPP, which has produced female-centric plays for several years now. The stage adaptation (adapted from

by Shannon Reed At some point in our lives, each person has likely read a Shakespeare play or two. As I have ventured more and more back into the theatre, I have been lucky to experience more and more of Shakespeare’s works. The thing that always seems to strike me the most as I watch these pieces unfold onto the stage is the relevance of the lessons in our world today. A similar sentiment is seen in this production of The Winter's Tale at the Players Club of Swarthmore. Dire