by Piper Byrne Some nights at the theatre are just meant to be. Friday, September 25 (that’s 9/25) was Dolly Parton Day, the first since we lost her last month. I spent it in Somers Point watching Gateway Playhouse’s 9 to 5: The Musical, and there was truly no better way to celebrate. In his Director’s Note, Philip Palitto shares that the company chose this show a year ago, never imagining they’d be staging it so soon after Dolly’s passing. Somewhere along the way, he write

by CJ Higgins Younger audiences may be familiar with Disney’s 1996 film adaptation of the novel by Victor Hugo, but perhaps not with the extremely mixed reviews upon its initial release. The main issue was the tone; Hugo’s novel is large enough that it could have reasonably served as one of the bricks of the famous cathedral, each page darker in its subject matter than the last, but Disney films are primarily known for being cheerful family musicals that can keep kids seated

by Shirley Erwin As a fan of retellings, I vaguely remember hearing about a musical based on Alice in Wonderland. Wonderland, with music by Frank Wildhorn, lyrics by Jack Murphy, and book by Gregory Boyd and Jack Murphy, did indeed have a brief stint on Broadway in 2011. It closed due to negative reviews, but was recently given a second chance with a revised book by Jennifer Paulson-Lee and Gabriel Barre. Although Wonderland is a topsy-turvy journey riddled with puzzles and