“Little Women”: Big Entertainment at Masquerade Theatre

by Stephen Kreal

On Sunday, December 7th, I attended an opening weekend matinee performance of the musical version of Little Women at Masquerade Theater in Riverside NJ. The musical is based on the story by Louisa May Alcott, originally published in 1868. The story is well-known, and remains popular, as evidenced by the well-loved 1994 movie version, and the critically-acclaimed 2019 movie version. There was also a 1978 made-for-TV miniseries with a star-studded cast.

The musical version made its Broadway debut in 2005. Book is by Allan Knee, Music by Jason Howland, Lyrics by Mindi Dickstein, and it is based on Louisa May Alcott's novel. The original Broadway cast included Maureen McGovern and Sutton Foster. It ran for 137 performances.

This production was directed by Artistic Director Megan Knowlton Balne, and co-directed, as well as choreographed by Ivie Wren. Iliana Perez effectively stage-managed very quick scene changes. Trisha Dennis, who also played Marmee, is credited as vocal director.  

The challenge for Masquerade Theater is the layout of the performance space. Most productions, including this one, are done “in the round”, which sometimes creates issues with sightlines. This production had more open space, which facilitated the dance scenes. The minimal set was spread out, with Jo March’s attic writing space in one corner, a wingback chair adjacent to a fireplace to be the parlor (set in the middle), and in the opposite corner of the attic, a piano decorated with pictures and such. There was also a bridge that was cleverly used in numerous ways. The set allowed for mostly clear lines-of-sight. Set construction is credited to Robert Schaeffer and Shawn O’Brien. The program credit for Scenic Artist is attributed to Georgia DeFrank.

The play opens with a prompt curtain and a lively number, bringing one of Jo’s stories to life while enthusiastically narrated by Jo. Layne Cochran brilliantly portrayed Jo from start to finish, from her undeniable, unwavering energy, to her free spirit, to her raw emotions. Watching her was a master class in acting, not to mention her flawless vocal performance. 

We are also introduced to Professor Bhaer in the opening scene, played by Sean McGarry. McGarry’s charming portrayal of the awkward professor was a pleasure to watch. McGarry really shined during his song: “How I Am”.  McGarry also acted as Fight and Intimacy Coordinator, which was no easy feat with Jo’s imaginative sword fights from her stories coming to life on stage. McGarry also used a consistent accent throughout, adding authenticity to this character.

The remaining March sisters are portrayed by Sarah Spivack as Meg, Julia Dennis as Beth, and Charley Bazz as Amy. The four sisters had wonderful vocal performances, under the guidance of vocal director Trisha Dennis. The Act 1 song “Our Finest Dreams” (featuring the four sisters) was absolutely wonderful! 

The matriarch, Marmee, is portrayed by the talented and experienced Trisha Dennis. In Act 1, Dennis sings “Here Alone”, where she reads a letter from her husband, who is far away serving as a chaplain in the Union Army. She reflects on her loneliness, and the challenge of raising her daughters (her “little women”) by herself.  The Act 2 song “Days of Plenty” is a beautiful, sad ballad about the vicissitudes of life and finding hope in the midst of despair. Dennis really shines in this number!  Dennis conveyed the love they had for all of their daughters, leaving no doubt for the audience that this familial unit was strong and lasting.

Sarah Spivack as Meg portrayed the demeanor of the eldest sister to a tee. They and Connor Twigg, as John Brooke, had an adorable chemistry and beautiful vocal performances. Their song “More Than I Am”, when Mr. Brooke proposes marriage to Meg just before leaving for war, is delightful and packed with emotion.

Julia Dennis was absolutely charming and sweet as shy Beth, and their scenes with Tony Killian as the cranky Mr. Laurence, were heartwarming. Killian portrayed the irascible, cranky neighbor, who, we learn, actually isn’t so scary after all, with exceptional execution. Their Act 1 duet  “Off to Massachusetts” is lively and fun.

Charley Bazzle did a wonderful job of portraying the little sister Amy, who wants to be just like her big sister, with the right amount of admiration, mixed with brattiness. In the end, she gets her wish, stepping into the life that Jo rejected. Bazzle gets to showcase their vocal talent especially in the Act 2 duet with Laurie “The Most Amazing Thing”.

L Bryce Welborn, as Laurie Laurence did a fantastic job of stealing the audience’s hearts. Welborn plays the wealthy, charming neighbor who at first falls for Jo. Welborn’s big moment came midway through Act 1 in a song called “Take A Chance On Me” in which the desire to be part of the sisters’ lives is expressed. Welborn’s clear, powerful vocals really fill the space in the lively number!

Amanda Dranchak plays Aunt March (as well as Mrs. Kirk). In the role of Aunt March, Dranchak plays the formidable, wealthy socialite. Dranchak is masterful as the overbearing matron and great-aunt to the March sisters, dangling promises of exotic travel if the sisters submit to her will. Aunt March and Jo share the stage in the song: “Could You?”

The production was greatly enhanced by costuming that was period appropriate and meticulously crafted. Costuming credit in the program is given to Rebecca Sisley, assisted by Nanci Cope. The women were mostly in full-length dresses with collared tops. The gentlemen in period-appropriate waistcoats and cravats. 

The lighting for this production was created by Managing Director Tommy Balne. The lighting was simple, but effective in conveying scene and tonal changes. It was also effective at “steering” the audience’s focus. 

The musical accompaniment was done with tracks. The vocal performances were truly fantastic. The musical ends not with a huge ensemble number, but rather a solo with Jo singing “Sometimes When You Dream” (reprise). The cast came out for curtain call, with the audience clapping enthusiastically. If you have the opportunity, I highly recommend seeing this high-quality production of a beloved American story. Congratulations to Masquerade Theater, directors Megan Balne and Ivie Wren, and the entire cast and crew. Tickets can be purchased here: https://www.simpletix.com/e/principal-series-little-women-tickets-226090