by Aimee Ferenz Last night I had the pleasure of attending a production of the one act dramatization of Roald Dahl’s James and the Giant Peach. This production is dramatized by Richard R. George and performed by the Spirit Players at the beautiful Kelsey Theatre. The story follows the abused young orphan James Trotter who lives with his aunts Spiker and Sponge. He is visited by a mysterious old man who gives him a bag of crocodile tongues that he says can do magical things.

by Angela Robb If you’re reading this review, or anything on this blog, chances are you’re a theatre person. As a theatre person you are likely no stranger to the long hours that go into a tech run, the dress rehearsal that never seems to go according to schedule, the opening night jitters, the showmances that somehow always seem to reach a boiling point during the performances, and the performances that just don’t seem to go as well as the rehearsal. As a theatre person you

by Angela Robb For those who know me, they know that I often go on long rants about topics I am passionate about. For those who know me very well, they know that at all times I’m mere moments away from going off about the injustice of Disney Theatrical not transferring Hunchback of Notre Dame to Broadway after their out of town tryouts at Paper Mill Playhouse and La Jolla Playhouse in 2014/2015. The musical, with a revised book by Peter Parnell and score and lyrics by Alan M