by Deitra Oliver Gershwins’ Porgy and Bess, presented by The Ritz Theatre Company, directed by Darryl S. Thompson, Jr., is nothing short of a triumph. Set in a fictional African-American tenement called Catfish Row in Charleston, South Carolina, during the early 1920’s, the folk opera tells the story of Porgy, played by Stephan Burse, a disabled black man forced to live as a beggar, and his unlikely love affair with the free-spirited Bess, played by Erica Imani Liburd; both

by Stephen Kreal On Friday, May 15th, I went to see Bridge Players Theater’s production of “Seussical”. This is the last show of their 49th season. The production was directed and choreographed by Joanne Piazza, and stage-managed by Alice Weber. Credit for assistant stage managers is given in the program to Kate Petrovich and Damon Strothers. Seussical was co-produced by Lauren and Marissa DiPilla. Inspired by the Dr. Seuss books, the music was written by Tony Award-winni

by Donald Toal Jukebox musicals have rarely been this reviewer’s cup of tea. Oftentimes they are a fun romp with some catchy earworms but little in the way of deeper, lasting substance (looking at you, “Mamma Mia!”). Sometimes, though, a jukebox musical not only has something meaningful to say, but says it with its full chest and raw honesty. Material that is full of sharp edges, but ones that need to be swallowed. 2018’s Jagged Little Pill: the Musical fits that role t