by Mike McKeon Anyone remotely interested, as well as those with no interest at all in D&D (Dungeons & Dragons) needs to see this show. As a slight D&D “geek” myself I would be lying if I said I haven’t been excitedly awaiting She Kills Monsters. Just the idea of the show sounded fun to me as I tried to imagine different ways how anyone could bring D&D to life on stage. I must say, Ritz Theatre Company in Haddon Township, NJ went far beyond my imagination and their product

by Ash Kotter I can say with confidence that theatre enthusiasts typically first meet Henrik Ibsen’s A Doll’s House in a classroom, as a staple of dramatic history, as something you read to discuss later and analyze. And, rightfully so, considering its cultural context: Ibsen wasn’t exactly being subtle in dramatizing a wife walking out on her husband and children in 1879. I probably read this play in high school. I’m sure I definitely read it in college. Could make a strong

by Amber Kusching “Sometimes a revolution needs a woman’s touch.” Four bold women—playwright Olympe de Gouges, assassin Charlotte Corday, ribbon-loving Marie Antoinette, and the Haitian rebel Marianne Angelle—team up in a wild, feminist comedy set amid the Reign of Terror. As they plot, spar, and even murder Marat, they battle the rising madness of 1793 Paris. Blending history and fantasy, this sharp, irreverent play explores violence, legacy, activism, and sisterhood—part t